ROME 1999
"Encaustic on wet plaster 150 x 120 Cm
From time immemorial, this painting technique has fascinated painters, researchers, experts of such stature as LEONARDO, MANTEGNA and many others, but they have failed in trying to revive it or at least spread it.
Driven by a great desire to learn more about this art, in 1989, I met craftsman decorator Michele Paternuosto in my studio in Rome.
I thought he had acquired a good technical level, so I spurred him to do his best to spread this fine art.
In 1999, I had the opportunity to see Master Painter Michele Paternuosto at work.
He did two paintings, one on wet plaster made with lime and sand, the other on wood.
I noticed that their chromatic effect and hardness were the same, so much so, that by exerting a low pressure with my fingernail, I was unable to scrape out the colors, unlike normal wax candles.
For this reason, I completely agree with renowned Prof. Claudio Strinati when he says: “...the revival of the ancient encaustic technique is very hand.”
It would be detrimental for art and culture if Michele Paternuosto’s research fell into oblivion.
Therefore, it is desirable that the competent authorities support any initiative aimed at organizing events for the promotion and spreading of his acquired knowledge.
Prof. PICO CELLINI
RENOWNED RESTORER
http://www.morenart.it
© 1999 Morena Art - Roma -
